Welcome back to part two in my Bowie appreciation series.
Again…how I didn’t own any of his complete albums puzzles
me, but I am proud to say I have rectified that grave mistake.
This week, we take a look at Bowie’s 1974 album, and glam
rock farewell, Diamond Dogs.
The guitar and melody are thumping and chaotic which works in
perfectly with the futuristic, post-apocalyptic Orwell influence. This album,
in my opinion, is proof, more so than any of his others, of just how well Bowie
thinks out his music and how talented he is at structuring his albums for
ultimate impact.
My favourite tracks which I loved before owning the album,
Rebel Rebel and Diamond Dogs have not changed after listening to the album in
it’s entirety. Rebel Rebel has the Stones-esque rhythm (maybe because,
allegedly, Bowie and Mick slept together around the time of this album’s
creation) that makes me so happy. And well, Diamond Dogs is…Diamond Dogs. It is
amazing.
Bowie never ceases to amaze me and this album scores him
four stars and a slight Jagger swagger for the Stones influence.
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